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Temples
show a development in form, commencing as niche like spaces gathered around an
irregular court and culminating in a symmetrical structure with three pair of
apses grouped around a common axis. This change in the temples' structure
parallels the increasing complexity of the Maltese Temple Period society.
After
collapse of the Temple culture Malta comes to fall part, albeit late, of the
Mediterranean Bronze Age by occupying the south-western tip of a cultural arc
which spanned from the Aegean through the Puglia region in Italy and Western
Sicily. Evidence for this cultural migration is provided by the affinity
of early Maltese Bronze Age pottery with Protohelladic (Aegean) and Capo
Graziano (Aeolian) styles. Bossed bone plaques and clay anchors are also found
across this region, while only Puglia and Malta seem to have the remains of the
characteristic dolmen of this cultural phenomenon. The first Maltese
Bronze Age culture namely that of Tarxien Cemetery is mostly known for its
funerary remains. Traced back to this culture are four types of burial
monuments, namely ritualized megalithic temples, menhir, cairns and dolmens.
Influence,
and possibly migration, from western Sicilian cultures resulted in the second
local Bronze age culture, named after the type site at Borg in-Nadur. These
people after a transient coexistence with the Tarxien Cemetery people are soon
characterized by settlement patterns that show preoccupation with defence and
security. The last two centuries of Maltese Bronze Age bring with them the
Bahrija folk, who probably occupied areas in western Malta. At
around the middle of the seventh century B.C., Malta becomes part of the
Phonicien world through its strategic position in Mediterranean trade routes
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